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Victoria
Shaheen

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ford-detail

Brittle Bones and Burst Bubbles, 2022

EXHIBITION LOCATION

Boys’ Room/Sitting Room

MEDIUM

Glazed Stoneware, Plastic Aquarium Plant, Plasma Ball, Button, Electrical Components

SIZE

16 x 12 x 10 in

PRICE

$2,500

DESCRIPTION

Shaheen’s work explores ideas of labor and value, specifically whose labor is chosen to be valued and whose labor is dismissed. One of the main ways this distinction has been made historically is through distinctions of material. To highlight this conflict, she combines materials that have been deemed less valuable or low brow and intersects them with material labeled the opposite: neon with ceramic, decorative architectural elements with non-structural materials, etc. This work calls into critique the history of so many design disciplines as well as calling out current problematic issues in art and architecture.


ford-detail

Odd Fellow Twins, 2018

EXHIBITION LOCATION

Edsel’s Study

MEDIUM

Silicone

TECHNOLOGY

Silicone mold making and casting

SIZE

20 x 48 x 1 in

PRICE

$3,200

DESCRIPTION

Shaheen’s work explores ideas of labor and value, specifically whose labor is chosen to be valued and whose labor is dismissed. One of the main ways this distinction has been made historically is through distinctions of material. To highlight this conflict, she combines materials that have been deemed less valuable or low brow and intersects them with material labeled the opposite: neon with ceramic, decorative architectural elements with non-structural materials, etc. This work calls into critique the history of so many design disciplines as well as calling out current problematic issues in art and architecture.


ford-detail

Sea Foam Melting in The Sun, 2018

EXHIBITION LOCATION

North Hallway

MEDIUM

Silicone

TECHNOLOGY

Silicone mold making and casting

SIZE

22 x 21 in

PRICE

$1,850

DESCRIPTION

Shaheen’s work explores ideas of labor and value, specifically whose labor is chosen to be valued and whose labor is dismissed. One of the main ways this distinction has been made historically is through distinctions of material. To highlight this conflict, she combines materials that have been deemed less valuable or low brow and intersects them with material labeled the opposite: neon with ceramic, decorative architectural elements with non-structural materials, etc. This work calls into critique the history of so many design disciplines as well as calling out current problematic issues in art and architecture.